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Custom Work

How Much to Charge for a Custom DJ Mix or Mashup

Editorial starting price ranges for a private DJ mix, a two-song mashup, and a longer set — how those ranges were set, the copyright rules that change what you can safely sell, and real fee math after Stripe and platform fees.

Updated September 2026

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Is that wedding-entrance request a private edit, or a mashup they plan to post on YouTube? Put the use, the price and the delivery window on your Custom Work listing, and the order arrives scoped and paid upfront instead of as a DM negotiation.

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A couple ordering one entrance mix will probably never order again, so why make them join anything? On Brillay they pay once by card as a guest, with no follower account and no membership, and your delivered file finishes the job.

No monthly fee, you only pay a small platform fee when you get paid.

A private DJ mix for one event typically starts at $25–$75, a custom two-song mashup runs $50–$150, and a longer continuous mix (20–45 minutes) runs $75–$250. Playing a mix at a private party and selling a follower an audio file built from copyrighted recordings are two different legal questions: delivering a paid file is a reproduction of each recording used, and public release adds a separate clearance step on top of that.

Custom Work lets you offer clearly scoped commissions and services: you set the price, the scope and the delivery time, and followers submit a brief and pay before you start.

"Can you blend my two favorite songs together?" and "can I get a mix for my wedding entrance?" are two different jobs with two different price tags — and two different copyright pictures. A DJ mix blends existing tracks in sequence; a mashup recombines pieces of separate songs into one new arrangement. Brillay's Custom Work offer lets a DJ set the price and delivery time for either job before a follower pays (how it works) — the same paid-before-you-start model also works for adjacent music orders, such as pricing a custom Spotify playlist.

How much does a custom DJ mix or mashup typically cost?

A private DJ mix for one event typically starts at $25–$75, a custom two-song mashup runs $50–$150, and a longer continuous mix of roughly 20–45 minutes runs $75–$250. Those three figures are Brillay editorial starting ranges built for testing buyer demand — not a surveyed market average, not an industry benchmark, and not a quoted rate for any specific request.

Where these ranges come from. They are editorial judgment, not measured data. The ranges were built as test-pricing starting points from three inputs: an entry price a first-time buyer will accept without negotiation, an escalation by production hours as song count and runtime grow, and a separate higher tier once rights-clearance work enters scope. If you are unsure what to charge, start with the lower end for a tightly defined first order, track how many hours it takes, and raise the price when requests fill faster than you can deliver them. Use the same test-and-adjust approach for other custom digital goods, like setting a starting range for a custom Notion template.

DeliverableTypical scopeEditorial starting range (test price)
Private single-event mix (wedding entrance, birthday intro)2–5 minute edit, blended for one-time private play$25–$75
Custom two-song mashupNew arrangement combining two tracks, delivered as one audio file$50–$150
Continuous mix / mini-setBeatmatched, transitioned mix, roughly 20–45 minutes$75–$250
Mashup cleared for public release or resaleMashup plus the creator securing permission before public distribution$300 and up, clearance cost varies

Length and song count move a price within a tier. The biggest swing factor is whether the finished file stays private or gets published, because a public release adds rights-clearance work — identifying owners, requesting permission, and negotiating a fee — on top of the production hours. Clearance work is the step a private one-off edit usually skips; the underlying copyright in the songs does not disappear because the file is private.

What's the difference between a DJ mix and a mashup?

A DJ mix sequences and blends existing songs — beatmatching, EQing, and transitioning between full tracks without changing their melody or lyrics. A mashup recombines pieces of separate songs, such as one song's vocal over another song's instrumental, into a new arrangement that did not exist before either track was taken apart.

The distinction changes both the price and the legal exposure. Isolating stems and matching key and tempo across two incompatible songs takes longer than sequencing full tracks, and a mashup is what U.S. copyright law calls a "derivative work" — a new work built from preexisting ones — which generally requires permission from the original copyright owners.

Do you need permission to sell or publish a mashup?

Yes, in almost every real case. Selling or publicly posting one without permission carries legal risk that is independent of audience size.

"A 'derivative work' is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted." — 17 U.S.C. § 101, U.S. Copyright Office.

The exclusive rights are set out by statute rather than by platform policy. 17 U.S.C. § 106 gives the copyright owner the exclusive rights to reproduce the work in copies or phonorecords, to prepare derivative works based upon it, and to distribute copies or phonorecords to the public by sale or other transfer of ownership (U.S. Copyright Office, Title 17 Chapter 1). Making one copy of a recording for one paying buyer is a reproduction under that list even if the buyer never posts it publicly, so "it's private" is a reduction in practical exposure rather than a statutory exemption.

The financial exposure is set by statute: under 17 U.S.C. § 504, a court may award statutory damages of not less than $750 and not more than $30,000 per work infringed, and may raise that award to as much as $150,000 per work when the infringement is found to be willful (U.S. Code, Office of the Law Revision Counsel).

Age is the one clean exception, and it rarely helps a DJ. The U.S. Copyright Office states that a pre-1978 published work is protected for 95 years from the year of first publication (U.S. Copyright Office duration FAQ), which put U.S. works published in 1930 and earlier into the public domain as of January 1, 2026. Sound recordings first published between 1923 and 1946 are protected for 95 years plus an additional 5-year transition period under the Classics Protection and Access Act (U.S. Copyright Office) — 100 years in total — so essentially no song a follower requests for a wedding or birthday is old enough to be free to use.

The U.S. Copyright Office's fair use FAQ advises contacting the copyright owner directly for permission and states that fair use is decided case by case rather than guaranteed for any category of reuse. Everything in this section is general information, not legal advice; a creator planning to sell or publicly distribute a mashup should have a music attorney review the specific songs involved.

Why doesn't a standard mechanical license cover a mashup?

A standard mechanical license does not cover a mashup for two separate reasons. The compulsory license under Section 115 of the Copyright Act only lets you make your own new recording of a song rather than reuse someone else's released recording, and it forbids changing the song's basic melody or fundamental character — which is exactly what most mashups do.

The compulsory ("statutory") mechanical license is the cheapest legal route to cover an existing song. The U.S. Copyright Royalty Judges set the 2026 statutory mechanical rate for physical phonorecords and permanent downloads at 13.1 cents per work, or 2.52 cents per minute of playing time, whichever is larger, in the Copyright Royalty Board's Federal Register rate notice and at 37 CFR § 385.11.

The 2026 statutory mechanical rate buys a narrow permission. U.S. Copyright Office Circular 73 lists what the compulsory license does not allow:

"You cannot engage in the following activities with the compulsory license. You will need to seek permission from the copyright owner to: Make, reproduce, or distribute a sound recording publicly distributed in phonorecords… Change the basic melody or fundamental character of the work in the arrangement." — U.S. Copyright Office, Circular 73.

A mashup typically does both of those things — it reuses someone else's released recording and alters the underlying song's character — so a mashup falls outside the Section 115 compulsory license and needs direct permission from the rights holders instead.

What happens if you publish a mashup on YouTube or SoundCloud?

Posting a mashup publicly can trigger an automated copyright match before any human files a complaint. YouTube scans every upload against a database of reference files provided by copyright owners, SoundCloud runs its own automated content identification at upload, and a match produces a claim that the rights holder — not the uploader — controls.

Per YouTube's documentation on how Content ID works, "using a database of audio and visual files provided by copyright owners, Content ID identifies matches of copyright-protected content," and every upload "is automatically scanned by Content ID". Google's YouTube Copyright Transparency Report records more than 2 billion Content ID claims made in 2025, of which fewer than 1% were disputed. More than 65% of the Content ID disputes filed in 2025 resolved in favor of the uploader, according to that same Google transparency report. SoundCloud's help center states that SoundCloud has used automated content identification on the platform since 2010, checking the audio of tracks as they are uploaded.

A Content ID claim can block the video, route its ad revenue to the rights holder, or simply track its views, and the creator who made the mashup does not choose which of those outcomes applies. Automated matching is a practical reason to price a public-release mashup as a different, pricier job than a private one-time edit: the buyer is paying for rights-clearing work and for the risk that a claim lands anyway.

How should a private mix be priced differently from a public release?

Price a private mix for the edit alone, and price a public-release mashup as a higher tier covering rights-holder identification, permission requests, and any negotiated license fee. A private one-off file lowers practical exposure — no automated matching, no public distribution — but it does not erase the copyright owner's reproduction and derivative-work rights in the songs used.

Question to settle before quotingPrivate one-time mixPublic-release or resale mashup
Where will the file be played?One event, or one buyer's own deviceYouTube, SoundCloud, streaming services, or resale
Whose permission is needed?The songs' owners still hold reproduction rights in any file you deliver; no separate public-distribution clearance step sits in scopeThe copyright owners of every song used, cleared before public distribution
What can go wrong?Dispute over the agreed private use, plus residual copyright exposure on the delivered copyAutomated claim, takedown, or statutory damages up to $150,000 per work for willful infringement
Editorial starting range (test price)$25–$150$300 and up, with clearance priced separately

Private playback and file delivery are two separate questions, and only the first is helped by the event being small. 17 U.S.C. § 101 defines performing a work publicly as performing it at a place open to the public or where a substantial number of persons outside a normal circle of a family and its social acquaintances is gathered (U.S. Copyright Office), so a small private gathering generally sits outside that definition while a ticketed or open venue event generally does not. The audio file itself is a copy of copyrighted recordings either way, which is why a DJ selling files should not describe private delivery as clearance-free in an offer description.

Clearance cost varies by song, artist, and label and cannot be quoted as a fixed number, so write "clearance not included" or "priced separately once rights are confirmed" into the offer description rather than folding an unknown cost into a flat rate. Revenue from a claimed upload also flows to the rights holder rather than the uploader: Google's YouTube Copyright Transparency Report states that Content ID has paid more than $12 billion to rights holders from ad-supported user-generated content. In your Custom Work listing, spell out what the follower gets, what is not included, and that one delivery closes the order. Clear written scope helps prevent extra-song requests and gives both sides a record if the buyer later disputes what was promised.

How much do you keep after Brillay and Stripe fees?

Two deductions apply to a paid mix order taken through Brillay, and both are calculated on the gross amount the follower pays rather than in sequence: Brillay's platform fee, and Stripe's card-processing fee on that same gross charge. No monthly fee, you only pay a small platform fee when you get paid. 8% platform fee when a follower pays for work, 5% platform fee on tips and goals. Card processing is separate. On a $150 mashup paid with a U.S. domestic card, the two total roughly $16.65.

  1. Brillay's platform fee is 8% of the gross transaction when a follower pays for work. Creating a page is free, with no monthly fee and no follower minimum. Brillay's fee, free-to-start terms, and no-follower-minimum policy are first-party terms published by Brillay on its own pricing page, which is the authoritative source for them; no third party publishes Brillay's fee schedule.
  2. Stripe's published U.S. rate for domestic online cards is 2.9% + $0.30 per successful transaction, applied to the gross charge amount (Stripe pricing). Stripe's published pricing adds 1.5% for international cards, plus a further 1% when currency conversion is required.

The payout math is therefore: gross − (2.9% × gross + $0.30) − (8% × gross). Because both percentages are taken on the gross amount, the order in which the two fees are applied does not change what a creator keeps.

You charge (gross)Stripe processing on gross (~2.9% + $0.30)Brillay fee on gross (8% on custom work)You keep (approx.)
$50~$1.75~$4.00~$44.25
$150~$4.65~$12.00~$133.35
$300~$9.00~$24.00~$267.00

These figures are estimates for a U.S. domestic card, not exact invoices — check the completed transaction in your dashboard for the real payout. At a $50 order, combined deductions run about $5.75; at a $300 order, about $33.00.

When should you raise your mix or mashup prices?

Raise your mix or mashup price when demand, delivery time, or scope outgrows what a fixed rate covers. Four signals matter most: a request queue backing up faster than you can deliver, repeated requests for public-release use, song counts creeping past two per mashup, and completed orders that show what each job really costs in hours — the same scope-creep signals apply to other bespoke creative work, such as pricing a custom logo or brand mini package.

  • Requests back up faster than you can deliver them. A growing queue signals the current price sits under the market for your delivery time.
  • Buyers keep asking for public-release use. Add a separate public-release tier that accounts for rights-clearance time rather than absorbing clearance work into a private-mix price.
  • Song counts creep past two. A three- or four-song mashup takes longer to arrange than a two-song one, so price by song count rather than a single flat rate.
  • You've completed enough orders to know the real time cost. Compare the hours spent stemming, matching key and tempo, and mixing against what you kept after fees.

Brillay lets a creator update a listed price without renegotiating each order, per Brillay's own published terms. For related offers, see how much to charge for mixing and mastering or how much to charge for beats.

Frequently asked questions

Four questions decide most custom mix pricing: whether a license is required, how a DJ mix differs legally from a mashup, what happens when a mashup is posted publicly, and what the platform and processing fees cost. Short answers with primary sources follow, and none of them is legal advice.

Do I need a license to sell a custom mashup?

Generally yes. A mashup is a derivative work under U.S. copyright law, and creating or selling one typically requires permission from the copyright owners of the songs used (17 U.S.C. § 101). Delivering the file privately reduces practical exposure but does not remove the owner's reproduction right. This is general information, not legal advice — check with a music attorney before selling a mashup.

What's the legal difference between a DJ mix and a mashup?

A DJ mix sequences and blends full existing tracks without changing their melody, while a mashup recombines pieces of separate songs into a new arrangement, which is what makes a mashup a "derivative work" requiring permission (U.S. Copyright Office). Treat "private, one-time file" and "public release" as different scopes carrying different levels of risk, not as licensed versus unlicensed.

Will my mashup get flagged if I post it online?

A publicly posted mashup can be flagged automatically. Google's YouTube Copyright Transparency Report records more than 2 billion Content ID claims made in 2025, and a claim can block the video, route its ad revenue elsewhere, or track its views (YouTube Copyright Transparency Report and YouTube Content ID documentation).

What does Brillay charge for a custom mix or mashup service?

Brillay charges 8% when a follower pays for work and 5% on tips and goals, per Brillay's own first-party terms. There is no follower minimum, and payouts run through Stripe, whose published U.S. rate for domestic online cards is 2.9% + $0.30 per successful transaction (Stripe pricing). Both fees are calculated on the gross amount the follower pays.

Should I charge the same for a two-song mashup and a five-minute private mix?

Not necessarily — price by the work involved, not by category alone. A two-song mashup usually takes longer to arrange than a short private sequencing job, and a mashup meant for public release adds rights-clearance work that a private delivery normally leaves out of scope, so each deserves its own tier.

Ready to take custom mix requests without turning every post into a sales pitch? Create your free Brillay page, put Custom Work beside your other offers in one link, and let followers pay by card without creating an account. There is no follower minimum, and creators can receive payouts in 41 countries.

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