How Much to Charge for Mixing and Mastering

For a single song, charge $25–$75 for mastering, $75–$250 for mixing, or $100–$350 for a mix-and-master bundle. These are Brillay editorial starting ranges, not market averages: choose within them according to stem count, complexity, included revisions, turnaround, and demonstrated demand. Custom Work lets you offer clearly scoped commissions and services: you set the price, the scope and the delivery time, and followers submit a brief and pay before you start.

Methodology: The ranges in this guide are Brillay editorial recommendations for clearly bounded, entry-level service listings; they are not a freelance-market survey or an analysis of Brillay creator listings. Each range assumes one song, submission-ready files, a stated stem limit, and a defined delivery. Brillay’s internal editorial scoping rule treats a project as “high-stem” once it regularly exceeds 30 stems, and as “EP-length” once it bundles 4–6 songs into one delivery; either condition is Brillay’s own threshold for starting at $300 and pricing beyond $800 in the full production tier — it is not an industry-standard definition. For broader offer setup, see selling song feedback and mixing services online.

What should determine your mixing and mastering price?

Four factors determine where to price within the recommended range: stem count and complexity, whether the buyer wants mastering, mixing, or both, exactly what one delivery includes, and how much room remains in your queue.

• Stem count and track complexity. Abbey Road Studios prices its online mixing service per song by track count, from £300 for a 1–4 track song to £540 for a song of up to 64 tracks — an 80% increase driven by track count alone (Abbey Road online mixing). Brillay recommends the same direction of travel: move toward the top of a tier as stem count, editing, and routing complexity increase.
• Mastering, mixing, or both. Mastering starts with an already-mixed stereo file, while mixing requires balancing and processing multiple stems. Disc Makers’ SoundLAB sells single-song mastering as a flat per-song product while Abbey Road Studios quotes mixing per song in track-count bands, which is why mastering is the cheaper and more standardised of the two services to list (Disc Makers SoundLAB pricing; Abbey Road online mixing).
• Included revisions. Abbey Road Studios includes exactly one set of revisions in every online mastering package and one revision in its online mixing package, rather than unlimited changes (Abbey Road online mastering; Abbey Road online mixing). On Brillay, the Custom Work setup states what the follower gets, what you need from them, and what is not included. If you want a separate primer on setting that boundary before you publish, see how many revisions a service should include.
• Demand and available capacity. If paid requests consistently fill your queue, move toward the upper end of the range. If this is your first offer, a lower starting price can help you test demand and measure the actual time required.

Set the initial rate against the stem limit, the files the buyer must provide, and the exact deliverable you will send once. After several completed projects, compare the hours worked with the amount retained and adjust the next listing accordingly.

What are the recommended starting prices by service type?

For one song, start at $25–$75 for mastering, $75–$250 for mixing, $100–$350 for a mix-and-master bundle, or $300–$800+ for full production. Price toward the top when stem count, editing, routing complexity, or queue pressure rises. Keep each Custom Work listing to one defined delivery with the scope written down. These are Brillay’s own starting ranges for a first paid listing, set deliberately at or below the published list prices of established mixing and mastering studios so a new seller can test demand.

Published studio price lists give those ranges an anchor:

• Disc Makers’ SoundLAB lists single-song mastering at a $75 list price, currently promoted at $49 per song, with a maximum track length of 10 minutes.
• Disc Makers’ SoundLAB charges $30 to master a re-mixed song once the original mastering session is complete, a published example of a studio billing rework separately from the job it quoted.
• Abbey Road Studios publishes three online mastering packages — Standard at $130 per track, Enhanced at $200 per track, and Deluxe at $325 per track — and each of the three includes one set of revisions.
• Abbey Road Studios prices online mixing per song in five track-count bands: £300 for 1–4 tracks, £360 for 5–8 tracks, £420 for 9–24 tracks, £480 for 25–48 tracks, and £540 for up to 64 tracks.
• Abbey Road Studios excludes audio placed in a project’s reference folder from the track count that sets the mixing price, so a supplied reference mix is not billed as an extra track.
• Sage Audio, a mastering studio operating for more than two decades, prices Standard Mastering at $49 per song, Vinyl Mastering at $69 per song, Stem Mastering at $49 per stem, and a pre-mastering Mix Review at $29 per song (Sage Audio pricing).
• Sage Audio’s $29-per-song Mix Review is priced at roughly 59% of its $49 Standard Mastering rate, a published example of a smaller feedback-only product sold beneath the full service.

Read together, those three published price lists put single-song mastering in a $49–$325 corridor — $49 at Sage Audio and Disc Makers’ SoundLAB promotional rate, $75 at the SoundLAB list price, and $130 to $325 per track at Abbey Road Studios (Sage Audio pricing; Disc Makers SoundLAB pricing; Abbey Road online mastering). Brillay’s $25–$75 mastering range therefore begins below all of those published studio rates, which is what makes it an entry-level test price rather than a market average. A new Custom Work listing can copy two useful pricing rules from those price lists: charge a fixed per-song price and raise it as the track or stem count increases; on Brillay, define one complete delivery and write down what is included.

The following scope decisions can move a project within or beyond those ranges:

• File preparation. Unlabeled stems, mismatched sample rates, missing files, or tracks that need editing add work before mixing begins. Either include preparation in the price or define “submission-ready” files in the listing.
• Genre and arrangement density. Dense metal, orchestral, and layered electronic arrangements need more channels routed, tuned, and processed than a sparse acoustic song of the same length. Sage Audio prices its Stem Mastering service at $49 per stem rather than per song, a published example of charging by element count when an arrangement is dense.
• Stem limits. A fixed tier should specify the maximum number of stems it covers. Abbey Road Studios caps its published online mixing bands at 64 tracks per song, above which no listed price applies. If requests regularly arrive with 30+ stems, create a higher tier rather than absorbing the extra work at the same price.
• Queue size. When unstarted sessions and extra-version requests begin threatening the stated delivery time, raise the price, narrow the scope, or reduce availability instead of rushing delivery.

Use one visible price for each clearly defined tier rather than inviting negotiation after submission. A visible listing also makes the ask less awkward: instead of renegotiating the price in messages, you can point buyers to the published service and let the scope do the filtering. Brillay’s Custom Work feature supports listings with the price, scope, and delivery time written down; followers pay before you start (Custom Work; how it works).

How much do you keep after Brillay and Stripe fees?

Brillay charges 8% only when a follower pays for a mixing or mastering request (Brillay pricing), and Stripe adds its typical U.S. domestic-card processing rate of 2.9% + $0.30 per transaction (Stripe pricing); both fees are calculated independently on the follower’s listed payment amount, not stacked on top of each other.

1. No monthly fee, you only pay a small platform fee when you get paid. 8% platform fee when a follower pays for work, 5% platform fee on tips and goals. Card processing is separate.
2. Stripe’s standard US online price is 2.9% + 30¢ per successful transaction for domestic cards. Stripe adds 1.5% for international cards, 0.5% for manually entered cards, and 1% when currency conversion is required, on top of that standard rate.

Brillay uses Stripe for payment processing and payouts. Brillay states the payout formula as creator earnings = follower payment − platform fee − processing fee, confirming both deductions are taken from the same listed price rather than compounded on top of each other.

Using the typical US domestic-card rate, the approximate fee math is:

These examples are estimates rather than exact invoices. At $50, the estimated combined deductions are $5.75, leaving approximately $44.25; at $150, they are $16.65, leaving approximately $133.35; and at $300, they are $33.00, leaving approximately $267.00.

Check the completed transaction in your dashboard for the actual payout. The fixed $0.30 component represents a larger percentage of a low-priced order, so take-home pay should be calculated before publishing an inexpensive tier.

For comparison with a freelance marketplace, Fiverr states that a seller earns 80% of the purchase amount on every completed order, including Gig Extras and tips — a 20% platform commission (Fiverr Help Center: Your earnings page). On a $150 mixing order that 20% commission leaves $120.00, while Brillay’s 8% paid-work fee plus Stripe’s 2.9% + 30¢ domestic-card rate leaves approximately $133.35 (Brillay pricing; Stripe pricing). On Brillay the commission sits on your own page at your own price, with no marketplace ranking another engineer above you, the brief collected at checkout, and the work paid for before you start.

Sanity-check the tier against your time: divide the amount you keep by the hours the project actually took. Using the $150 mixing example above, keeping about $133.35 across 3 hours of active work works out to roughly $44/hour, while the same payout stretched across 6 hours works out to roughly $22/hour. Log actual hours on a handful of requests, then raise or lower the tier price until the effective hourly rate matches what you want to earn.

When should you raise your mixing or mastering price?

Raise the price when your queue fills faster than you can deliver, when logged hours show the amount you keep no longer matches the work, or when incoming requests routinely exceed the stem cap and delivery scope you published. Steady purchases after an earlier increase are the signal that a further rise is safe. Four specific triggers:

• Your queue fills faster than you can complete projects. A growing backlog means the current combination of price, capacity, and delivery time is attracting more work than you can reliably deliver.
• You have completed enough projects to measure the real workload. Compare total project time—including file preparation, communication, exports, and delivery—with your take-home amount.
• Requests exceed the listed scope. If a mixing tier repeatedly receives 30+ stems or asks for multiple new versions instead of the one delivery you described, raise the price, reduce the stem cap, or charge through a larger tier. Disc Makers’ SoundLAB handles the same problem with a published $30 fee to master a re-mixed song after the session is complete.
• Demand remains steady after earlier increases. Consistent purchases at the new rate indicate that buyers still value the offer at that price. Abbey Road Studios still includes only one set of revisions in its $325-per-track Deluxe master, the same allowance as its $130 Standard tier, which shows a price rise does not have to buy the customer a wider revision scope.

Creators can update an offer’s price on Brillay. Use what you learn from completed orders to update the price, scope, delivery time, and exclusions on your next Custom Work listing.

Frequently asked questions

Should I use flat tiers or quote every project individually?

Flat tiers are easier to understand when each one has a firm stem cap, a clear list of what is excluded, a delivery time, and one defined deliverable. Abbey Road Studios publishes five flat online mixing bands from £300 to £540 per song and stops at 64 tracks, quoting anything larger separately. Use custom quoting the same way: only for work that does not fit a published tier, such as a 60-stem orchestral arrangement or an album-length project.

Is $25 too low for mastering one track?

A $25 mastering offer fits the bottom of Brillay’s editorial starting range when you are testing demand, working from one submission-ready stereo file, and limiting the delivery to one final file. It sits at about half of Sage Audio’s $49-per-song Standard Mastering rate and one third of Disc Makers’ SoundLAB $75 list price, so it is a deliberate undercut rather than a market rate (Sage Audio pricing; Disc Makers SoundLAB pricing). At $25, Stripe’s 2.9% + 30¢ domestic-card rate and Brillay’s 8% platform fee on a mastering order leave an estimated take-home of about $21.98 (Stripe pricing; Brillay pricing). Tips and goals carry a lower 5% platform fee.

Should mixing cost more than mastering?

Generally, yes. Mastering starts with one finished stereo mix, while mixing involves balancing and processing multiple stems. Abbey Road Studios sells online mastering as a fixed per-track package from $130 per track, but prices online mixing per song in track-count bands running from £300 to £540 (Abbey Road online mastering; Abbey Road online mixing). Brillay’s editorial ranges follow the same shape at entry level, placing mastering at $25–$75 and mixing at $75–$250 for one song.

What do established studios charge for mixing and mastering?

Published single-song mastering prices run from $49 to $325 per track across three studios. Sage Audio lists Standard Mastering at $49 per song and Vinyl Mastering at $69 per song. Disc Makers’ SoundLAB lists single-song mastering at $75, promoted at $49 per song with a 10-minute maximum track length. Abbey Road Studios lists online mastering at $130, $200, and $325 per track across its Standard, Enhanced, and Deluxe packages, and online mixing at £300–£540 per song depending on track count (Abbey Road online mastering; Abbey Road online mixing).

What should I do if a buyer asks for changes after the one delivery?

Deliver the one package described in the purchased scope. When a buyer asks for work beyond that scope, do not expand the original delivery; direct them to a new Custom Work purchase for the extra version, stem count, or deliverable. If the same extra request keeps recurring, update the future listing price or exclusions. If a delivered file does not work or the buyer asks for a correction, answer in the Customer support conversation on that order, under the correction and refund policies you published before they paid, rather than promising unsupported work.

Ready to set your prices and take mixing and mastering requests? Create your free Brillay page with no follower minimum or monthly fee. Followers pay by card as guests, keeping the checkout simple for artists who only need one mix or master. Followers pay upfront; you can decline a request. One Brillay link can hold Custom Work alongside Tips, Paid Questions, Personalized Videos, Goals, and Brand Collaboration Inquiries, so a mixing offer can live next to smaller ways supporters or brands contact you. Creators in 41 countries can get paid; followers pay by card from anywhere.